Nolan jõuab jumala tasemel üle hästi kirjutatud eepiku, mille sisu on mehed, monstrid ja moraalne muutus

Christopher Nolan teeb täielikult õigust olla Homeriku legenda ja kogutab suurenema lavalikku, et esile tuulda sõjame tõde hinnakannatamislust filmides, mille tegemine on tõusva ambitsiooniga. Klassikaliku veredik: sügav hero peegeldab meie aega nii, et naised ja nuansid on jätkunud üle. Christopher Nolan reinvents the Homeric legend as a colossal origin-myth story of postwar disillusion, an epic ordeal of anguish witnessed by the dead and presided over by capricious deities who participate on almost equal terms with the humans. It speaks to the generational pain of PTSD; plenty of soldiers come home in person after any war promptly enough, but arriving back to their prewar state emotionally or spiritually can take years or decades and may never happen at all. The invisible odyssey of anguish is punctuated by flashback episodes, hallucinations, confrontations with the arbitrary gods of dysfunction. And all the time the spouses and children cannot move on with their lives.